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Chris Rock finally answered the big one. Since making his film debut in the 1985 film Krush Groove, the albatross around Chris Rock’s neck has always been his ability to achieve the same level of success in film as he has in television and stand-up comedy. Rock is one of the biggest drawing comedians on Comedian Chris Rock Finally Breaks Top Five With ‘Top Five’ is an article from: The Inquisitr ...
Chris Rock has such a warm, magnetic presence that it's always been baffling that he has never seemed that comfortable as an actor. Cutting and ferocious as he may be onstage, onscreen he often comes across as timid, like he doesn't belong. (It's telling that when I think of his film career, the first thing that comes to mind is his work in the Madagascar films, which just requires his bug-eyed ...
TECHNOLOGY means our society is constantly changing and the physical landscape is no different. Sentinel journalist Dave 'can I pretend I was born in 1990?' Knapper comes up with ten things that anyone who grew up in the 1990s in Stoke-on-Trent will appreciate. When I was growing up I always maintained I would never complain about young people and would constantly be sourcing out new music and ...
The Ferguson case can’t happen again. As the parent of a black child who will one day be an 18-year-old, I can’t believe he could be shot while unarmed. I hope he never puts himself in the position to have an encounter with law enforcement that could result in something that horrible.
"No comedian wants to have to analyze and defend" jokes, says Rock, who wrote, directed and stars in the new film Top Five . He adds: "I'm not a politician; I'm not a thinker. I'm a comedian."
*Chris Rock wrote a very lengthy essay for The Hollywood Reporter detailing his experience with the film industry’s race problem. The “Top Five” writer, director and star explains what it’s really like to be black in the entertainment industry (you get asked to play Huggy Bear, not Starsky or Hutch) and the racial politics of crossing over: […]
Writing for THR's current issue, the 'Top Five' writer, director and star tackles Hollywood's third rail as he explains what it's really like to be black in the entertainment industry (hint: you get asked to be Huggy Bear, not Starsky or Hutch) and the "slave state" of Mexicans: "If Kevin Hart is playing 40,000 seats a night, and Jon Stewart is playing 3,000 ... why does Kevin Hart have to cross ...
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